{"id":57649,"date":"2022-03-30T10:36:49","date_gmt":"2022-03-30T10:36:49","guid":{"rendered":"https:\/\/primarolia.com\/en\/?post_type=dt_portfolio&p=57649"},"modified":"2022-03-30T14:23:57","modified_gmt":"2022-03-30T14:23:57","slug":"susan-collins","status":"publish","type":"dt_portfolio","link":"https:\/\/primarolia.com\/en\/project\/susan-collins\/","title":{"rendered":"Susan Collins"},"content":{"rendered":"

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SUSAN COLLINS<\/h3>\n
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Susan Collins<\/b> (1964) works in response to specific sites and situations, often employing transmission, networking, and time as primary materials. Her key works include the BAFTA nominated <\/span>Tate in Space<\/span><\/i>, commissioned for TATE Online (2002); <\/span>Underglow<\/span><\/i> (2005-2006), a network of illuminated drains for the Corporation of London and Brighter Later (2013), a light installation for the Radcliffe Observatory, Oxford driven by live weather data. She has produced a series of year-long pixel by pixel internet transmissions from remote locations, including <\/span>Seascape<\/span><\/i> (2009), a solo show for the De La Warr Pavilion, Bexhill-on-Sea; LAND (2017), a live transmission from Jerusalem looking across the West Bank towards the Jordanian mountains, and Five Hours Later (2019-2020), an exchange between Sheffield, UK and Boston USA. Collins is Professor of Fine Art at the Slade School of Fine Art, University College London.<\/span><\/span><\/div>\n

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The art<\/strong><\/span>ists<\/span><\/p>\n

Images of a floating world<\/strong><\/em><\/span><\/p>\n<\/blockquote>[vc_row_inner][vc_column_inner]